Vox Acerbus

The Vox Acerbus Best Music of 2009

2009-11-20T10:47:00.039-05:00

I’ve waited all year for this (as evidenced by the 357 days in between posts), and so have you! And today, your patience is handsomely rewarded, for today is the day I release the Vox Acerbus list of the Best Songs of 2009.

This list was a year in the making – so you know it’s good.

Because this is the 6th installment, I will spare the details of the arduous selection process, but here is the abridged version of the rules.

-- All songs are in my collection and were acquired throughout the year in the “normal course of business”. It’s not a year end Google search as many lists tend to be – it’s a year-end search of my iPod.

-- Each song has to have a lyric that catches my attention and holds some measure of intellectual sustenance, although last year I broke that rule and included an instrumental track. What’s the point of editorial discretion if I don’t use it? Just as Orson Welles declared that Paul Masson would serve no wine before its time, I will honor no song with moronic lyrics.

--Music from any genre can be included. This year’s compilation is much more diverse than the last few collections, which were dominated (for lack of a better word) by the singer-songwriter faction. There are some happy pop tracks in here, but don’t get too excited – there’s plenty of pain and suffering to go around. This year also features the first ever remix to be included.

--The first 4 versions were compiled in chronological order by date of release. Last year’s was randomly selected by iTunes. This year, much to the chagrin of Dick at Championship Vinyl, the list is iTunes-style alphabetical by artist. (If you have to ask, then you’ve never seen one of the best movies ever.) Maybe next year, I’ll go for “autobiographical” . . .

--The “one compact disc’ rule has been eliminated – because it was stupid.

Ready? Begin.

1. “Foot of the Mountain” by a-ha, from the album Foot of the Mountain

“Silence always wins, it’s the perfect alibi”

Contrary to the belief that we can’t escape our fate, much of what goes wrong in our lives is by our own doing. Learn from the past and leave it there.

2. “I Quit” by Bear Lake, from the album Places on the Side

“I didn’t even make a sound, letting it out and screaming”

Despite a subtle key change near the end, the song’s conflict remains unresolved – just the way I like it.

3. “5000 Days” by Chantal Kreviazuk, from the album Plain Jane

“My hope, this isn’t temporary”

Most love songs are about the hope and promise surrounding the prospects or beginnings of a relationship. This one is about a relationship almost 14 years old and is so powerful that she hopes it continues beyond this mortal coil. Simple lyrics, a simple arrangement, and beyond complicated.

4. “Belle of the Boulevard (Acoustic)” by Dashboard Confessional, from the album Alter the Ending

“Just this once, just for now”

Seeking solace in a manner and place it will never be found. This acoustic version lends a better background for the story.

5. “Nemesis” by David Gray, from the album Draw the Line

“I am a creeping and intangible sense of loss”

Nemesis was the Greek goddess of retribution and vengeance. If you can’t be with the one you love, then torment their memories in a song with a French horn solo. What could be more beautiful than that?

6. “Wrong (Trentemoller Remix Edit)” by Depeche Mode, from the album Sounds of the Universe

“There’s something wrong with me, chemically, something wrong with me, inherently”

Every emotionally cataclysmic event has a path that leads up to it. It’s only when the path ends that we look back and see what led us there – an unpleasant realization of the consequences of our actions. Basically, it’s entirely your fault.

7. “Papillon” by Editors, from the album In This Light and on This Evening

“You’re born, get old, and die here”

“Papillon” is the French word for butterfly, and while the song alludes to making an escape (as a butterfly from a cocoon), the reality is that most people accept their lot in life and few people ever do anything to change their circumstances.

8. “Right Next to You” by Elizabeth & The Catapult, from the album Taller Children

“Tears me up to think of all we’re losing”

There is really nothing remarkable about this song, but the instrumentation is unique and the chords are very atypical both in time and tone. It’s a fresh take on an ancient song topic.

9. “Not Sure” by Fiction Family, from the album Fiction Family

“Such a beautiful view with a long way to fall”

Fiction Family is a collaboration between Sean Watkins of the now defunct Nickel Creek and Jon Foreman of Switchfoot. While the record as a whole was an interesting marriage of rock, pop, and folk styles, this song would have been right at home on a Nickel Creek or Watkins solo album, both of whom have been included on past volumes of Vox Acerbus compilations.

10. “Airstream Driver” by Gomez, from the album A New Tide

“Oversleep the rapture”

I don’t even care that all Gomez did was lift this song from 90’s rockers Red Red Meat, eliminate 2/3 of the lyrics and rearrange the rest, and then step up the tempo while retrofitting it into their own musical style. This song has a delectable groove.

11. “Alone” by Holly Williams, from the album Here With Me

“These walls that surround me, they’re strong and they’re tall”

This song debates the merits of barriers, both physical and emotional. Which is greater – the risk or the reward? This arrangement differs from most singer-songwriter songs in that it’s driven by piano instead of a guitar, and the string section is accompanied by pedal steel. Nice.

12. “First Train Home” by Imogen Heap, from the album Ellipse

“Temporal dead zone, where clocks are barely breathing”

This is an anti-love song about that defining moment in a relationship where you realize that enough is enough and you just want out. In this case, the “first train home” means “the first train away from you”. Unfortunately, that train is always way too late.

13. “Heartbreak Warfare” by John Mayer, from the album Battle Studies

“Red wine and Ambien, you’re talking shit again”

Love and war are one and the same. Enough said.

14. “If I Didn’t Know Any Better” by Mindy Smith, from the album Stupid Love

“And I know this is just a beautiful illusion”

This song first appeared on the Lonely Runs Both Ways album by Alison Krauss back in 2004, but it was written by Smith. This version evokes more pain and sadness, which always wins out here at Vox Acerbus.

15. “Back to Manhattan” by Norah Jones, from the album The Fall

“I know nothing about leaving, but I know what I should do it today”

Should you stay or should you go? I’m not sure I’d want the Brooklyn Bridge as my life metaphor.

16. “Tidal Wave” by Owl City, from the album Ocean Eyes

“Depression, please cut to the chase and cut a long story short”

Ocean Eyes is a very happy and upbeat album. This song is the last one on the track list, and after 40 or so minutes of fun and sunshine, this lyric jumped out like it was shouted through a bullhorn. Imagine getting punched in the face at a birthday party – it’s like that.

17. “King of Rome” by Pet Shop Boys, from the album Yes

“Last night I lost all day”

Pet Shop Boys are renowned for the incorporation of history into their songs of love and loss. Napoleon’s son was dubbed King of Rome as a courtesy title upon his birth, and his sad and short (21 years) life was the textbook example of loneliness and despair amidst a life of privilege and wealth.

18. “From the Sky” by Peter Bradley Adams, from the album Traces

“In the silence you start to lose your hope . . . you dream of letting go”

This song is about coming to peaceful terms with the end of your life, and the promise of what one believes may be on the other side. Adams writes stunningly beautiful music, and this is one of his best.

19. “Today I Feel Sure” by Pilot Speed, from the album Wooden Bones

“. . . they are alone, would trade the kingdom for the throne”

This song masterfully stays a step or two below becoming an all out anthem by maintaining a sense of uncertainty and trepidation.

20. “In These Arms” by The Swell Season, from the album Strict Joy

“Use the truth as a weapon”

Life is circular. It’s not so much evolution as it is revolution. This song builds slowly and ends rather abruptly at its apex.

21. “When One Became Two” by The Verve Pipe, from the album A Family Album

“ . . . what was to be was much bigger than three”

After an eight year hiatus, the Verve Pipe returned with this record of family-oriented, children’s sing-a-long type pop songs. This song, in addition to a very catchy melody, features the bassoon. How can you NOT include a Verve Pipe song that features the bassoon?

I'm out-

KWass

The Vox Acerbus Best Music of 2008

2008-11-28T14:12:00.001-05:00

I don't post often, but when I do, I come bearing gifts. After much listening, soul searching, and sleepless nights, the Vox Acerbus Best Music of 2008 is finally finished.

First, a quick rehash of the rules for the new readers.

All of the music below is in my collection. I don't Google it and crank out some half-ass amalgamation of somebody else's favorites. You get inside *my* head - that alone is worth the price of admission.

Lyrics are key, except of course in the case of an instrumental track that made the cut for 2008 - a Vox Acerbus first. (OK, not technically an instrumental, but the voice is offering melodic support rather than words, per se.) The music can be great, but if the lyrics are stupid, I can't in good conscience pass it along to you. Each song below has a lyric that for some unexplained reason caught my ear and made it worthy of consideration.

I don't release the list until I'm certain of it. And this year, it took over a month to get it right. I lost track of how many times I changed it, and I would wager that a over 1/3 of the list was not included in the original version.

And finally, after I make the picks, I write a few liner notes to tell you *why* the song was included. Part of that is because I think it's as important as the music, but most if it is because I am a huge dork and I live under the illusion that you care what I think.

Also, new for 2008 - the order of the songs. Since 2003, I have presented the list in chronological order from earliest release to latest. This year, I let iTunes do it. I shuffled the playlist, and this is the result. Done.

And so, without further interruption, I present the Vox Acerbus Best of 2008.

1. "Sanvean" by Sarah Brightman, from Symphony

The first "instrumental" ever included on a Vox Acerbus best of collection, Brightman's version of Lisa Gerrard's (formerly of Dead Can Dance) "Sanvean (I Am Your Shadow)" replaces Gerard's lower vocal registers with soaring purity. It feels like a long descent.

2. "And Then We Fell" by Brian Vander Ark, from Brian Vander Ark

"and all the while gravity is pulling us straight into Hell"

"And Then We Fell" was tested in front of audiences as the show opener starting in early 2007, and you can hear the progression from some of the bootleg versions that are out there. Brian Vander Ark is one of the most prolific songwriters of our time. His songs go beyond the formulaic offerings of today's pop music; they tell a story. He's a modern day troubadour, the kind who went the way of the typewriter and the door-to-door vacuum cleaner salesman, who continues to earn the praise and admiration of his fans one song at a time.

3. "Los Angeles" by Peter Bradley Adams, from Leavetaking

"And you held us in your city lights when our eyes had lost the stars"

Adams is 1/2 of the former folk-pop duo eastmountainsouth, who disbanded after just one terrific self-titled album in 2003. This is his second solo effort, and while Leavetaking is a stellar album, it's the absolutely stunning song here that will stop you cold. For lack of a more colorful description, this song is gorgeous.

4. "Coney Island" by Good Old War, from Only Way to Be Alone

"Reminisce why I still hate it here"

I think Good Old War is what Nickel Creek would have sounded like if they recorded in the 1960's. This is a rare Vox Acerbus pick - a song with a driving tempo - but it is still sad and forlorn. Who says melancholy can't be conveyed with a tasty groove?

5. "The One I Love" by Greg Laswell, from Three Flights From Alto Nido

"I'll bring your words along with me, maybe one day they will mean something"

A time honored tale of the grass always being greener on the other side. Sometimes people act in a manner where there is no logical explanation for doing so, and we've all done it. Laswell brings a unique piano presence to a guitar dominated genre.

6. "Sarah" by Ray LaMontagne, from Gossip in the Grain

"Eyes closed tight, throwing punch after punch at the world"

LaMontagne's third album is less restrained and more adventurous than his previous work, which really says something, because he remains as distant and stoic as ever. People knock him for being so tormented and brooding, but what they don't realize that's where the brilliance comes from. Let the man be miserable, because it works. He already cut the set list short this past October in Detroit (I know because I have it) - you want him to stop touring and making records altogether? Shut up already.

7. "Coming In Too Low" by Steve Reynolds, from The Carnival Papers

"who is the person I have become?"

Reynolds is a Canadian artist who brings a modern touch to the normal "trials and tribulations of life" stuff of folk music. This song starts in a low drone and is driven by the low toms instead of the snare drum before building into a heavily layered and epic ending.

8. "A Thread Cut With A Carving Knife" by Stars, from Sad Robots EP

"close your eyes until tomorrow, it could bring joy it could bring sorrow, but it will come sure as light"

The Canadian duo returns with a song about "the next day", a lesson that no matter what course of action we choose (like the 3 sample verses here: continuing a loveless relationship, comtemplating suicide, and drinking to forget), the sun will come up tomorrow. The tone ranges between hope and hopelessness and is layered like an onion with synth waves and distortion.

9. "Crack The Shutter" by Snow Patrol, from A Hundred Million Suns

"It's been minutes, it's been days, it's been all I will remember"

This is really nothing more than a simple love song. A lot of people are calling it this album's version of "Chasing Cars", but that's an oversimplification. This song more than stands on its own merits. Slick pop production, yes, but worthy all the same.

10. "Maybe Be Alright" by William Fitzsimmons, from The Sparrow and the Crow

"I was just a stupid kid"

The beard alone gets this guy in. His songs are full of pain and regret, which we love here at Vox Acerbus. Truth is, anyone of the songs on this album could have made this collection, so it should be no surprise that two of them did.

11. "The World is Outside" by Hem

". . . all the ways to feel the world forgot you . . ."

No cover art for this one. This was released via Hem's website last spring, and is likely just a skeleton demo of a song that might appear on the next record sometime in 2009. That's how unbelievably talented this band is.

12. "Alicia Ross" by Kathleen Edwards, from Asking for Flowers

"Was your darkest day as dark as this one?"

I am a huge fan of Edwards, ever since I heard "Sweet Little Duck" from the Failer album back in 2003. I love the story offered between the opening lyric ("I am a girl with a forgettable face) and the closing line ("Now I'm a girl who's face they'll never forget"), but the subject material is the saddest imaginable. It's a paradox that a song about a young girl's murder could sound so beautiful.

13. "Beautiful Lie" by Yoav, from Charmed & Strange

"Fade away like frozen photographs"

It's unbelievable that every sound in this song was made by a single acoustic guitar. Sure, it's overdubbed and looped, but it's still pretty damn impressive. We need to embrace world music artists like him.

14. "Washington Square" by Counting Crows, from Saturday Nights & Sunday Mornings

"And time is a number that rests on a wall"

Admittedly, before this record, I was not a big Counting Crows fan, but there is something so sparse and desolate within this pretty song, I had to include it. As you know, paradoxes rule at Vox Acerbus.

15. "Ships" by Tyler Ramsey, from A Long Dream About Swimming Across the Sea

"Cause by now I've seen too many of us seamlessly upon the sea, whose sails are clinging desperately to ships that once were worthy."

This entire album is amazing, but the lyric above is the reason I picked this song from the rest - those words are powerful stuff.

16. "Your New Twin-Sized Bed" by Death Cab for Cutie, from Narrow Stairs

"It's like you're in some kind of hurry to say goodbye"

This was a difficult choice, because this album had so many standouts, but in the end, the contant synth drone that starts in the second verse and continues throughout the rest of the song was the deciding factor because it adds such a sonic stability and depth to an otherwise light track.

17. "Lullaby" by Priscilla Ahn, from A Good Day

"This old library has thirty books and one dictionary"

This is a song about a desire to leave a small town behind for bigger and better things. My favorite feature of this song is the raw texture of the string arrangement. Ahn also sang with William Fitzsimmons on a couple of tracks on his The Sparrow & The Crow album, from which 2 songs made this year's list.

18. "If You Would Come Back Home" by William Fitzsimmons, from The Sparrow & The Crow

"Call the surgeon . . . mend the pieces"

Another song of heartache and despair. I feel bad for the guy that he had to go through whatever it was that brought so much pain, but the songs are so stunning and brilliant, I'm glad he did. Sorry, William - that sucks, man.

19. "Gossip in the Grain" by Ray LaMontagne, from Gossip in the Grain

"The beggar that holds is tongue . . . dines on none but air alone"

This song has a ethereal element much like his songs "Be Here Now" and "Empty" from the Till the Sun Turns Black album of 2006. His sorrowful voice and the haunting intro of flute and glockenspiel make for a powerful combination.

I'm out-
KWass

Cubicle Tunes - Week of June 17, 2008

2008-06-17T12:15:00.012-04:00

Music is constant, even if my writing isn't, and though I wasn't able to blog over the last few weeks, I was able to listen, and as always, you - the reader - are the beneficiary.

Big news! The bitchin' Saturn ION 3 is now reloaded with XM Radio. I told myself back in May of 2007 that I couldn't justify the expense. Then I told myself that I was a complete tool, and things got pretty heated until my sensible self just up and bitch slapped my frugal self with a stinging backhand. You should have seen it. It was textbook technique, employing the obliques and turning with my torso to generate power, and the next thing I know, I was telling myself "I got knocked the #@&* out!".

So, allow me to pontificate with these:

1. Viva la Vida – Coldplay (2008)

Teaming up with Brian Eno, Coldplay is back with their fourth album, and I think it’s just swell. “Life in Technicolor” is a great opener – I like the idea of starting a record with an instrumental track. Other favorites include “Viva la Vida”, which generated substantial anticipation through the iTunes teaser spots, and the album’s closer, “Death and All His Friends”.

On a related note, I still hate the song “Yellow” from the Parachutes album. I can’t fathom how such a crappy song could come from an otherwise pretty cool band. I mean, every band has a few misses in their discography, but rarely are they so far off the pace.

2. Narrow Stairs – Death Cab for Cutie (2008)

This album is tremendous. The opener, “Bixby Canyon Bridge”, starts calmly and builds pressure and explodes into noise and chaos before settling back into serenity. “I Will Possess Your Heart” is a sublimely creepy account of a distant infatuation turned obsession: “you reject my advances and desperate pleas; I won’t let you let me down so easily”. Damn – call the cops!

“Pity and Fear” must be listened to at ridiculous decibel levels. The distortion stops so abruptly that I went back and checked iTunes to make sure I had the whole song.

And finally, “Your New Twin Sized Bed” is my new Death Cab favorite, and is the first song to be guaranteed a spot on the Vox Acerbus Best of 2008.

3. The Seldom Seen Kid – Elbow (2008)

The return of XM makes an immediate impact with the discovery of this band. I was scanning stations and chanced upon XM 45 as they were playing the magnificent track “One Day Like This”, punctuated by a blend of sweeping and staccato string arrangements. Other favorites include “Mirrorball” and “Grounds for Divorce”, where the album title is taken from the lyric “Mondays are for drinking to the seldom seen kid”. They also have one of the coolest websites out there. Check it out here and make sure your volume is up at the intro screen – you can play piano by scrolling over the different letters! Their extensive discography will certainly warrant further listening.

4. Gavin DeGraw – Gavin DeGraw (2008)

I was hooked on Gavin DeGraw the night I saw him open for Barenaked Ladies back in 2004. I had no idea who he was before then, but he put on one of the best live performances I’ve ever seen. The single “In Love with a Girl” picks up right where the material from Chariot left off. Other favorites include “Next to Me (Wait A Minute Sister”, “Untamed”, “We Belong Together” and “Cheated on Me” (I love a song that I can relate to on such a personal level).

So what if it took him 5 years to release another album? I love it, even if he does look like a dead ringer for Mike Damone from Fast Times at Ridgemont High on the album cover.

5. Gattaca – Original Motion Picture Soundtrack (1997)

Michael Nyman’s score is gorgeous. This is a film where the score holds critical importance; the surrealism and depth of the movie could not have been attained without this music behind it. Try this one on your iPod some time when you retire for the evening – a dark room with no distractions would take this up a notch, methinks.

I’m out-
KWass

Cubicle Tunes - Week of May 6, 2008

2008-05-07T12:20:00.005-04:00

You thought you had heard the last of my incessant musical ramblings, yes?

To be honest, I thought I might have written the last of said musical ramblings. Lots of bitter happenings in the world of Vox Acerbus lately - a real estate deal gone sour, work travel for 3 of the last 5 weeks, and another real estate deal to replace the aforementioned sour one. Rodney Dangerfield said it best in Ladybugs:

"Two-story house. Yeah - before you buy it they give you one story, after you move in you get another story."

But I digress.

Through it all, I've managed to stay abreast of some very cool new stuff, as well as finally getting around to giving some earlier procured tunes their due credence. A few thousand miles in a van affords you that kind of opportunity.

1. You Have No Idea What You're Getting Yourself Into - Does It Offend You, Yeah? (2008)

This album goes against EVERYTHING that I like, and yet I can't stop listening. Electro-punk, funk-rock - whatever you want to call it - it ain't the soothing acoustic melancholy I usually immerse myself in. My favorites are "Battle Royale" and "Being Bad Feels Pretty Good", which would be quite at home on The Killers' Hot Fuss album. A paradox of the aural variety.

2. Who You Are - Cary Brothers (2007)

I was initially drawn into this record for the worthy cover of The Thompson Twins' classic "If You Were Here", but the dark and lonely miles of the western Michigan Upper Peninsula revealed the greatness of the rest of the album. "Ride" is simply stunning, and "Precious Lie" is epic sadness. And "The Glass Parade" features just the type of lyric that Vox Acerbus appreciates: "Just a voice inside your head, whispering that all the hope is dead, all the time you had to prove that no one really loves you". That, boys and girls, is why we listen to the words.

3. The Slip – Nine Inch Nails (2008)

The Slip is the second full length album released through the Nine Inch Nails website, and as a thank you to his loyal fans for years of support, Trent Reznor is offering it free of charge. Just click here, fill out the information, and you’ll get an e-mail with a link to the download site, where the files are available in many digital formats. You can also register and become eligible for presale tickets for the upcoming North American tour.

The album continues the raw machine-gun energy of 2007’s Year Zero, but for those (like myself) who revel in NIN’s darkened soundscapes, “Corona Radiata” and “The Four of Us are Dying” fit the bill.

4. Transatlanticism – Death Cab for Cutie (2005)

In anticipation of next week’s release of Narrow Stairs, I thought it prudent to revisit my favorite Death Cab album to date. Favorites include “Title & Registration” and its clever opening verse (“the glove compartment is inaccurately named, and everybody knows it, so I’m proposing a swift orderly change, because behind its door, there’s nothing to keep my fingers warm”) and the epic title track, which is one of those songs meant to be listened to at full volume. The record also contains one of my favorite songs of love desolation, “Tiny Vessels”, where Ben Gibbard sings “It was vile, and it was cheap, and you are beautiful, but you don’t mean a thing to me.”

5. Nonsuch – XTC (1992)

I am among the very few who wonder why people laud Skylarking so much more, because to me, Nonsuch is a better album. In fact, I would also rank Apple Venus Vol. 1 ahead of Skylarking as well. Blasphemy? Not to me, and it’s my blog. There it is.

XTC are some of the best lyricists ever. “The Ballad of Peter Pumpkinhead” is probably the most recognizable track, but the real gems here are “My Bird Performs” (“the cage is open but she has no desire to fly”), “The Disappointed” (“seems your ring upon my finger signifies that I’ve become the spokesman of . . . the disappointed”), and “Then She Appeared” (“and the moon which formally shone on the marbled midnight mile suddenly just packed its bags, now shines from her bright smile”).

It’s good to be home.

I’m out-
KWass

Cubicle Tunes - Week of April 1, 2008

2008-04-01T12:00:00.003-04:00

It’s time for the biweekly submission of my weekly feature. Believe it, boys and girls; it’s just below this paragraph. I used letters and words and everything.

Looking back at my New Year’s Resolutions, posting regularly isn’t the only goal where I have failed miserably. That head of steam was quickly doused, wasn’t it? I guess there’s still time, but the fact remains that I wasted a full ¼ of the year. The only April Fool here is the author.

There has been enough great stuff released already this year to assure that the Vox Acerbus Best of 2008 will be a multi-volume offering. So, if nothing else, at least you have that going for you.

Did anyone notice that The B-52's released a new album last week? No? Neither did I.

1. Accelerate – R.E.M. (2008)

R.E.M.’s valiant return – a boisterous, angry album with great lyrics such as “if the storm doesn’t kill me, the government will”. I can now forgive them for the Reveal debacle. I may adopt “Living Well is the Best Revenge” as one of my personal theme songs. Welcome back.

2. “I Will Possess Your Heart” – Death Cab for Cutie (2008)

This is the first single from the forthcoming release Narrow Stairs slated for May 13. Clocking in at an epic 8+ minutes, the musical tone is set well before Ben Gibbard’s vocals begin halfway into the song. If this single is any indication, then another brilliant Death Cab for Cutie album is upon us.

3. “In Love With A Girl” – Gavin De Graw (2008)

This is the first single from the forthcoming self-titled second album from Gavin De Graw, which has been pushed back to a May 6 release. He retains and expands the pop sensibilities of 2003’s Chariot album, which by my account (and who else’s account really matters?) was a great record. He also puts on a very high energy show, so I hope his tour passes near my neighborhood.

4. Winterpills – Winterpills (2005)

A recent e-mail from a friend reminded me of this band, which unfortunately, for some unknown and inexplicable reason, had been relegated to iPod obscurity. My favorite song is “Portrait”, where they eschew the typical elegant and hollow professions of undying love and devotion for the simple phrase “I can’t pose for this portrait without you”, and the all too true "there's honey in the chemicals".

5. Synchronicity – The Police (1983)

Raise your hand if you can believe this landmark album was released 25 years ago. Yes – you are old like me. The album yielded timeless classics like “Every Breath You Take”, “King of Pain”, and “Wrapped Around Your Finger”. A lot of people fault Sting for being pretentious, but they’re just pissed that he wrote a lyric about Scylla and Charybdis and they didn’t know what it meant. Ignorance, while rampant, is no defense. Sting has knowledge, and you are a dumbass. Deal with it.

I'm out-
KWass

William Fitzsimmons - Music Video

2008-03-21T07:34:00.002-04:00

Check out the first video from William Fitzsimmons - the gorgeous song "It's Not True" from the Goodnight album.

If you haven't checked out his music yet, you are denying yourself indescribable aural pleasure.

I'm out-
KWass

The All Day Shuffle Experiment

2008-03-19T18:31:00.004-04:00

Inspired by a recent post by fellow Spunkybean writer on her blog, The Queen of Useless Knowledge, I decided to see what kind of a playlist an entire workday of iPod shuffle would generate. How triumphant (or embarassing) would it be?

This is risky business. I work for the government in a rather sterile work environment, and frankly, some of my music isn't appropriate in that setting. Ludacris on long road trip = good. Ludacris in your cubicle = bad. Lady Luck frowned on me, and I was sent scrambling to the volume knob with the 3rd song of the day.

I also have 5 or 6 Yanni albums. And 2 John Tesh albums. This alone constitutes a valid reason for a beat down. And since Yanni popped up at #33, I fully deserve to get my ass kicked.

So, out of 15,843 songs, below are the 88 songs my Ipod deemed worthy between 8 and 5 today. I would love to comment on them all, but I really don't have that kind of ambition. Maybe later I'll add some statistical analysis or something, but for now, res ipsa loquitur - the list speaks for itself.

1. Rise Up With Fists – Jenny Lewis & The Watson Twins
2. Here Comes – INXS
3. HWC – Liz Phair
4. Broadway – Alison Krauss & Union Station
5. River – Holly Cole
6. Unforgettable – Natalie Cole
7. I’ll Go Crazy – Bruce Willis
8. Lily Dreams On – Cotton Mather
9. I Am You – Depeche Mode
10. And So It Goes – Billy Joel
11. Innocent World – Joseph Arthur
12. Blasphemous Rumours – Depeche Mode
13. World Full of Nothing – Depeche Mode
14. Love In Itself – Depeche Mode
15. Indian Summer – The Rippingtons
16. Steam Trains to the Milky Way – Danny Wilson
17. Sunshine – Keane
18. Theme from New York, New York – Frank Sinatra
19. The Science Fair – Meet the Robinsons Original Motion Picture Soundtrack
20. Twisted – Annie Lennox
21. Welcome to Rome – Hudson Hawk Original Motion Picture Soundtrack
22. Miss Gradenko – The Police
23. You’re the Buddha – Howard Jones
24. Chief – Patty Griffin
25. Dream On – Depeche Mode
26. Afterall – William Fitzsimmons
27. Weapons of Mass Distortion – Crystal Method
28. Hidden #3: Conquest of the Planet of the Apes – They Might Be Giants
29. Manhattan Project – Rush
30. Disappearing World – David Gray
31. Firewalker – Liz Phair
32. Belief – Gavin DeGraw
33. You Only Live Once – Yanni
34. All the Way to Reno – REM
35. Selfless, Cold and Composed – Ben Folds Five
36. The Portrait – Back to Titanic: Titanic Original Motion Picture Soundtrack
37. Fools Game – Bonnie Raitt
38. My Time – Earshot
39. Goodnight, California – Kathleen Edwards
40. Switch 625 – Def Leppard
41. Wichita Skyline – Shawn Colvin
42. Tenderness on the Block – Shawn Colvin
43. Not the Red Baron – Tori Amos
44. Circulate – Swing Out Sister
45. Big River – Johnny Cash
46. Like It or Not – Madonna
47. Yesterday Once More – The Carpenters
48. Perfect Romance – Lynn Miles
49. Survivalism (Tardusted Remix) – Nine Inch Nails
50. Black Crow – Diana Krall
51. All Night Long (All Night) – Lionel Richie
52. Hypnotist of Ladies – They Might Be Giants
53. Rhymin’ & Stealin’ – Beastie Boys
54. The Chain – Fleetwood Mac
55. The Night – Catie Curtis
56. Get Here – Oleta Adams
57. Love Love Love – Tristan Prettyman
58. Low Down Dirty Business – Swing Out Sister
59. You Can’t Hurry Love – Phil Collins
60. You Happy Puppet – 10,000 Maniacs
61. Chicago Song – David Sanborn
62. Communication Breakdown – Led Zeppelin
63. Path of Thorns – Sarah McLachlan
64. I Like To – Men at Work
65. Matter of Minutes – Shawn Colvin
66. One in Ten – UB40
67. People Just Love To Play With Words – Men at Work
68. Crystal Ball – Keane
69. Master & Servant – Depeche Mode
70. The End – The Doors
71. We’re Not Deep – The Housemartins
72. A Question of Time – Depeche Mode
73. Call Me Mellow – Tears for Fears
74. Take This Waltz – Leonard Cohen
75. Love Oh Love – Lionel Richie
76. Top of the World – Patty Griffin
77. Streets of Laredo – Johnny Cash
78. Fantastic Dream – Alphaville
79. Dancing on the Ceiling – Lionel Richie
80. Nothing Is Good Enough – Aimee Mann
81. Sister of Night – Depeche Mode
82. Our Song – Yes
83. Oranges on Appletrees – a-ha
84. Love Sick – Bob Dylan
85. Scars – Rush
86. Red Light – Catie Curtis
87. Go Back Home – Stephen Stills
88. Sound of Your Voice – Barenaked Ladies

Worship my iPod before it destroys you.

I'm out-
KWass

Cubicle Tunes - Week of March 18, 2008

2008-03-18T22:29:00.008-04:00

Great new stuff this week, and some great new stuff on the horizon as well. Let's cut to the chase . . .

1. Ghosts I-IV - Nine Inch Nails (2008)

The latest from Trent Reznor is the first internet-only release since his emancipation from the record labels, and it's a bold and successful offering. It consists of 36 untitled instrumental tracks, identified only by number and placement in the series (i.e. 13 Ghosts II) and layered with hope, despair, droning, grinding, simplicity, beauty, scraping, and weight. This will be my bedtime iPod music for the foreseeable future.

2. Supernatural Superserious (Single) - R.E.M. (2008)

The first song available from the upcoming release Accelerate, due out April 1. If this song is any indication, it harkens a welcome return to the days of Out of Time and Automatic for the People (and a welcome departure from experiments like Reveal and Up).

3. How The Day Sounds (EP) - Greg Laswell (2008)

Laswell is definitely a new direction for the singer-songwriter/contemporary folk genre. Many music writers label him as the genre's answer to Coldplay, but I hardly think that Coldplay could take a song like Cyndi Lauper's "Girls Just Want to Have Fun" and turn it on its ear like Laswell did. The comparisons are correct but reversed - Coldplay wishes they were Laswell. Highlights include the title track and the new version of "What A Day".

4. On A Clear Night - Missy Higgins (2007)

I missed this one last fall, and it was my loss. This Australian singer-songwriter is a stripped down amalgamation of pop artists Anna Nalick and Sara Bareilles. Favorites include "Warm Whispers", "Steer", and "Forgive Me".

5. Music For The Masses - Depeche Mode (1987)

"Pimpf" and "Agent Orange" are 2 of the all time great dark room and headphones songs. This album is loaded with classics like "Never Let Me Down" (always a concert highlight when they extend the song with the Aggro Mix, like the version in the playlist below), "Behind the Wheel", and "Strangelove". It's also one my all time favorite albums covers. Dig it:

I'm out-
KWass

Cubicle Tunes - Week of March 4, 2008

2008-03-05T12:05:00.006-05:00

Oh, Canada! Oh, women! Oh, Canadian women!

This week, as I celebrate the release of Asking for Flowers by Kathleen Edwards, I dedicate this week's feature to some of my favorite songstresses from north of the border.

Be sure to crack a Blue or a Molson as you listen. So let's get to it, eh?

1. Asking for Flowers - Kathleen Edwards (2008)

Wow. Not much more to say than I already said here, other than I was up at 4 AM to pull it down from iTunes.

2. Slightly Haunted - Lynn Miles (1996)

Lynn Miles sings sad and beautiful songs - just the way I like them. "The Ghost of Deadlock" was one of the first songs I heard as I was being drawn into the contemporary folk/singer-songwriter genre, and it remains one of my favorites. Her show at One Trick Pony in Grand Rapids, Michigan is also one of my favorite concert experiences.

3. Colour, Moving & Still - Chantal Kreviazuk (2000)

Although I am a fan of all 4 of her albums, this one is my favorite. "Souls" is the highlight, with a gorgeous extended intro and the great lyric "Covenant, we will always grow, our skin will fade, transcend beyond all we've been told". Another favorite is "Little Things", where Kreviazuk's voice soars above string arrangements with lines like "Misery's turning my luck around" and "The past holds the truth like a lost and found".

4. All of Our Names - Sarah Harmer (2004)

Harmer's gentle voice can detract you from some very biting lyrics. See my earlier post dedicated to the song "Greeting Card Aisle". "Tether" is a pretty ballad of lament with lines like "Living this close to the road, you question your vulnerability" and "another melody is aching for a few pretty words to let it be". "Go to Sleep" is a perfect album closer.

5. Bound by the Beauty - Jane Siberry (1989)

Siberry can be eclectic (i.e. "Everything Reminds Me of My Dog") but she can certainly write some beautiful songs. "Life is the Red Wagon" is one of my all-time favorite ballads ("maybe it won't work this time, but that's the risk you take, and you want to take it). Other soothing numbers include "Hockey" and the title track.

I'm out-
KWass

Bowl O' Beans: Kathleen Edwards

2008-03-05T11:55:00.003-05:00

Click here to check out my review of the outstanding new album Asking for Flowers by Kathleen Edwards over at Spunkybean.

I'm out-
KWass

Cubicle Tunes - Week of February 26, 2008

2008-02-27T12:34:00.003-05:00

So what if I post my weekly features once a month? You’re not the boss of me.

There hasn’t been much new music that has caught my attention over the past couple of weeks, but read below about some great stuff that’s new to me, even though it has been out for a while.

I am greatly anticipating the new record from Canadian folk artist Kathleen Edwards. She is releasing Asking for Flowers next week (March 4) and launching a spring tour soon afterwards. Check out a few of the tracks and get tour dates here. I hope I can catch her show at The Magic Bag in Ferndale, Michigan on Sunday, April 6.

That being said . . .

1. Failer – Kathleen Edwards (2003)

“Sweet Little Duck” is one of the most beautifully dark and melancholy folk songs ever, with the feedback-tinged swells of strings and the lyrics “I sleep through most my days, so the time goes by, and I think I drink more now than ever”. Other highlights include “Mercury” and “Hockey Skates”.

2. Back to Me – Kathleen Edwards (2005)

Edwards’ sophomore effort widens the folk scope and features the outstanding mid-tempo tracks “Copied Keys” and “Summerlong” as well as ballads “Old Time Sake” and “Good Things”. The standout is “Somewhere Else”, which features a surprising horn arrangement and juxtaposed lyrics, with Edwards singing “life can be sweet if I want it to be” in one verse, followed by “life is so cruel because I let it be” in the next.

3. Once – Original Motion Picture Soundtrack (2007)

I am ashamed and embarrassed that I missed this last year. A friend of mine recommended this album (and the movie) during a lunch conversation, and I was floored. Glen Hansard and Marketa Irglova are a pairing on par with Damien Rice and Lisa Hannigan. “Falling Slowly” is stunningly beautiful. The film is at the top of my Netflix queue.

4. Swell Season – Glen Hansard (2006)

Of course, I can never get enough of a good thing, so hearing the Once soundtrack led me to this album - an earlier collaborative effort by Hansard and Irglova. It’s the perfect paradox of lush, beautiful arrangements and lyrics and pain and fear, and THAT, my friends, is why you should love paradoxes as much as I do.

5. The Sun is Melting – The Colorful Quiet (2006)

This independent album by Stephen Webster is simply amazing. These deeply introspective songs are emotional and insightful, and I think of him as a modern day Nick Drake.

I’m out-
KWass

Falling Down

2008-02-21T12:08:00.003-05:00

I fell down yesterday.

It was a genuine fall, too - not a stumble. I went down, and I went down hard.

I parked my car in front of the local hardware to get some painting supplies. The parking lot was empty, so I was walking fast and trying to read the business hours on the front door to see if they were open. Without warning, I was airborne.

As I flew violently forward, survival instinct kicked in, and I turned sideways to minimize the impact and get set up for the tuck and roll. I landed squarely on my left hip, assumed the fetal position for a split second, and carried momentum through the roll. I popped up on one leg almost as quick as I went down, and was back in stride for a few steps until the second wave of momentum hit me like a tidal wave and sent me spiralling out of control. I landed on my right knee and bounced forward before finally coming to rest face down between the front door and the cases of windshield wiper fluid stacked along the wall.

WTF was that? I looked back, eager to see the snow or ice that put me in peril, but there was none to be seen. It was a curb - in all of its glorious open-and-obvious splendor. I stood up and entered the store, and was quickly greeted by a clerk just few steps inside. He HAD to have seen it all happen, but he looked at me and deadpanned "Is there something I can help you find?" I thought to myself, yes - how about my dignity? Or my center of gravity?

He pointed me to the paint section, and I found what I needed. I paid for the merchandise, and he handed me my change and thanked me for my patronage. I thought I was in the clear, but just before I reached the door, he says behind me "be careful". The bastard mocked me, but he did it without laughing or smiling, so he could later argue he was acting professionally and within the capacity of his hardware clerking duties. Well played, sir, but you will rue the day, my friend.

I haven't gone down like that since the winter of '94, when I fell backwards and slid down an icy embankment in front of a Ponderosa, much to the delight of the many patrons who witnessed it through the huge front windows of the restaurant. I don't know what's more embarrassing - the fact that I bit it, or the fact I was at a Ponderosa.

I'm out-
KWass

Cubicle Tunes - Week of January 29, 2008

2008-01-29T12:03:00.000-05:00

Remember “The Jerk”, when Steve Martin goes crazy about the new phone books? Well, it’s like that in the Vox Acerbus Cubicle Tunes feature this week, because the new Brian Vander Ark album is here! The new Brian Vander Ark album is here!

(Deep breath)

(Deep breath)

Like Mr. Miyagi told the Karate Kid – breathe in through nose, breathe out through mouth. Show me “sanding floor”!

Now that pulmonary function has been restored, there are 2 other notable releases this week as well, including one by renowned vocalist Sarah Brightman. 2008 is shaping up to be a very good year.

1. Brian Vander Ark – Brian Vander Ark (2008)

The Verve Pipe emeritus returns with his third album and the third time is indeed a charm. “And Then We Fell” has been a favorite since he opened the show with it at the Magic Bag in Ferndale last April, and “Lily White Way” is a perfect suburban lament.

I had the opportunity to interview Brian about the record for my review that will be posted over at Spunkybean when the new site goes live February 4, so be sure to check it out.

2. Symphony – Sarah Brightman (2008)

After her experimentation with world music on her last album Harem (2003), Brightman returns with a broader collection of pop/opera crossover material reminiscent of La Luna (2000) and Eden (1999). Brightman’s voice shines again, with the horrid exception of the misguided duet “I Will Be with You (Where the Lost Ones Go)” with, I kid you not, Paul Stanley of KISS. Yes – it’s as abhorrent as you would imagine.

3. Charmed & Strange – Yoav (2008)

This very innovative folk/dance/world/ambient album has captured my attention. When is a guitar not a guitar? It’s quite the sonic conundrum. In the words of Morpheus – free your mind.

4. A Long Dream About Swimming Across the Sea – Tyler Ramsey (2008)

A holdover from the last installment, this record still gets frequent air time in the cubicle, the car, at home, on the can, etc. Check out my review of said record over at Spunkybean.

5. Under the Iron Sea – Keane (2006)

I’ve owned this since it was released, but never really gave it due credence until recently, when “Is It Any Wonder?” was played during a lunch at Olga’s and reminded me that I never listened to it. Peasant soup and Keane – a formidable combination, to be certain. This one is more synth heavy than the piano-laden Hopes & Fears (2004), and the end result is an edgier record worthy of a listen.

I’m out-
KWass

Cubicle Tunes - Week of January 15, 2008

2008-01-16T12:11:00.000-05:00

It really is amazing how much better it is to have your entire collection at your disposal in your cubicle. Until recently, I had 1/3 of my music available, and I was about as diligent in changing the the songs as I am about writing in this blog, so do the math. Now, I'm like Chris Farley in Tommy Boy, acting like JoJo the Idiot Circus Boy, playing with my new pet. My iPod is naughty!

Dig on these:

1. A Long Dream About Swimming Across the Sea - Tyler Ramsey (2008)

In a word - amazing. The amalgamation of sonic ambience and folk is fast becoming one of my favorite genres, and the combination here is groundbreaking. Look for an extensive review over at the Bean very soon. 9 tracks are featured on the media player at the bottom of this page.

2. Tiny Cities - Sun Kil Moon (2005)

Mark Kozalek has a history of recording stunning covers, slowing them down and stripping them bare into vehicles for his own (as well as the listener's) forlorn introspection. Here, he uses that formula on an entire album of Modest Mouse covers. "Ocean Breathes Salty" has never sounded better.

3. Some Devil - Dave Matthews (2003)

Funny story - this one got lost in my iTunes library because it was marked as a "compilation", and I never looked in the "compilation" folder. OK - it wasn't funny at all. It was sad. Big ass iPod - the gift that keeps on giving! "Stay or Leave" is gorgeous, and "Gravedigger" is just cool in every sense of the word.

4. Demolition - Ryan Adams (2002)

My favorite track here is the one that strays the farthest from the rest of the album. "Jesus (Don't Touch My Baby)" is sonic and heavy. The more acoustic "Dear Chicago" and "Tomorrow" are other standouts.

5. Lost & Gone Forever - Guster (1999)

Guster is a long time favorite of Vox Acerbus, which goes against principle, because they aren't bitter at all. Some favorites include "Either Way", "Center of Attention", and "Two Points for Honesty". They are working on new stuff, so there may be a new Guster album on the horizon.

I'm out-
KWass

New Brian Vander Ark Album

2008-01-11T23:41:00.000-05:00

Anyone who has been reading this thing over the past couple of years knows that I am an uber fan of Brian Vander Ark.

He spent the summer and fall on the Lawn Chairs and Living Rooms tour, where he visited the homes of his fans to play intimate sets of songs that they selected, to finance this new self-titled album that is now available for pre-order.

Brian was gracious enough to spend a few minutes talking to me before and after a few shows this past fall, so I am quite happy to post the banner below in the hopes that a few more fans buy the record and/or discover his music.

Also, be sure to check out his MySpace page to hear a couple of the new songs and, more importantly, check the tour dates, because you don't want miss him if he's in your neighborhood.

I'm out-
KWass

Cubicle Tunes - Week of January 8, 2008

2008-01-08T13:04:00.000-05:00

I am pleased to announce that with the new Xmas iPod and this week’s addition of a recycled set of Boston Acoustic BA745 speakers, music is at an all-time premium here in the box.

This week’s set is a little different. Usually, I wait until the album is out and the music is obtainable, but this stuff is soooooooo choice, you need to hear it now.

1. “Lily White Way” and “I Went With the Road” – Brian VanderArk (2008)

The self-titled new album is “in the can”, as they say, and 2 of the songs are now available for listening here. I pre-ordered the album at his show at The Photography Room in December, and should have it any day now. Look for this to be featured again in the coming weeks.

2. "The Silence Between Us" – Bob Mould (2008)

Hear it here. Mould, formerly of Husker Du and Sugar, releases The District Line on February 5. While you’re there, check out “High Fidelity” from the Body of Song album as well. In a word – wow.

3. Some People Have Real Problems – Sia (2008)

This one, to me, is a poppier, less folky/indie version of Feist (not that I would ever label anything), and honestly, the jury is still out on this one. Check out Randall's Spunkybean review here.

4. Richard Butler – Richard Butler (2006)

I always find myself coming back to this surrealistic album by the vocalist of the Psychedelic Furs. It’s so “out there” that I really can’t figure most of it out, and I dig that, man.

5. The Dream Academy – The Dream Academy (1985)

While compiling the cover songs for the Spunkybean article, I revisited this record, which I’ve always considered one of the preeminent synthpop albums ever released. In addition to the wonderous Nick Drake euology, “Life In A Northern Town”, the song “The Edge of Forever” is outstanding, and "In Places on the Run" is one of the most beautiful songs I know.

I'm out-
KWass

You Know What You Did . . .

2008-01-07T12:38:00.000-05:00

It’s been a while since I’ve gone on a good rant.

Below is a list of people who have been getting my goat lately. (You know, as far as figures of speech go, this one’s pretty inaccurate, at least as it applies to me. I don’t want a goat, so if I had one, and someone came and got it, I would actually be quite pleased.)

Without further ado:

1. People in line at the coffee shop. You know what? They already have a menu, and you don’t need to stand there and create a ½ this, ¼ that, double this, triple that so everyone can see the exacting standards you live your life under. If you don’t like the menu, go somewhere else. When they put a drink called Pompous Assuccino on the menu, then you can order whatever you want. Until then, order any one of the other thirty menu offerings and quietly step aside.

2. People at a four-way stop intersection. It never fails. When I have the right-of-way, everyone else tries to go. And when I don’t have it, we all sit there and admire each other’s cars. So, as a public service, I am going to spell this out in simple chapter and verse. At a four-way stop intersection, yield to the driver on the right if you reach the intersection at the same time as another vehicle, and yield to any vehicle that reaches the intersection before you. There it is. Now you can get through that intersection quicker and get back to what's really important - that text message you were writing before you had to stop.

3. People with Bluetooth earpieces. I can appreciate the usefulness of Bluetooth technology. It increases productivity in the business community, and it increases traffic safety for those who insist on using their cell phone while driving. However, I don’t think it offers much at the movie theater on Friday night. Honestly – if you are so vitally important to the function of society that you can’t leave it in the car for a couple of hours, then maybe you shouldn’t be at the movies. I guess it helps when ordering a Pompous Assuccino, though, because the two seem to go hand-in-hand.

4. People who won’t pay at the pump. Face it – gas is liquid gold and you can’t buy it anymore without paying up front. On occasion, I like to get a cup of coffee after I fill the tank, and nothing makes me happier than standing there and waiting while you explain to the cashier that you gave the OTHER cashier a $20 bill to pre-pay on pump #4, but you only pumped $18.74, and now you need your $1.26 in change, and now that you’ve seen me and my steaming cup of coffee, it looks really good to you, so you take the $1.26 and get yourself a cup of coffee, and get in line AGAIN to piss off someone else. It’s a vicious cycle, and like Erasure said, it doesn’t have to be like that. A simple debit card will, in all likelihood, save you from a well-deserved beating somewhere down the road.

5. People with $54.90 in returnable bottles/cans. Really – I love standing behind you with my 30 cans while you pump your 549 through the machine. And since you only rinsed out six of them, I also enjoy walking through the sticky remainder that is oozing out of the two black lawn & leaf size bags in your cart. I also love eavesdropping on your Bluetooth cell phone conversation, which is apparently more important than recycling, as evidenced by the dramatic pause of you holding the can to the point where it’s actually inside the machine, but not letting it go until it’s your turn to talk again.

6. People who empty the communal coffee pot and sneak away. My new(er) job prevents me from doing this, but back in my days at the trash hauling company, whenever I would find an empty coffee pot, I would take it and walk around the building with it until I found someone with a full cup, and then I would hand it to them and thank them for not making any coffee. It worked every time. I have more respect for the guy who walks in, sees an ALMOST empty pot, sets his empty cup down next to the pot, as if to say “Make me some coffee, bitch!” and then comes back later. However, karma steps in, and when I see that cup in the holding pattern, I empty the pot and sneak away.

7. U-SCAN checkouts. I was in a Meijer store recently (yes, I name them by name) that I hadn’t been to in quite some time. When I went to check out, EVERY lane was a U-SCAN lane. I had produce, man – nobody needs that kind of pressure. I put the onion on the scale, and I punched all the buttons to get me to the onion screen. I didn’t know if the onion I grabbed was a sweet onion, a cooking onion, or if it was small, medium, or large, and apparently, that’s key information. So I went with medium cooking onion, all the while waiting for the U-SCAN Overlord to walk over and tell me it was indeed a large sweet onion and that I was being detained until security could come back and ask me a few questions. My question to them, in between blows, would be “How come I have to look at 15 pictures of onions and make a judgment call that you obviously aren’t happy with when there is a sticker on this one with a four digit code on it?”

In any event, don’t be that guy.

I’m out-
KWass

William Fitzsimmons

2008-01-05T15:18:00.001-05:00

It has been a very long time since an artist captured my attention and admiration like William Fitzsimmons.

His 24 songs in my iTunes library are making the other 15,498 very jealous. In fact, the last time I synced my iPod, three songs were MISSING, so I'm pretty sure I've got mutiny on my hands.

I implore you to take a moment, check out his site, and give him a listen. Just click the banner below. See, I've already done all the work for you - you have no excuse!

I swear - I carry you people like luggage.

I'm out-
KWass

Bowl O' Beans - Cover Songs

2008-01-03T19:25:00.000-05:00

Check out my recent article over at Spunkybean, where I wax philosophic about my favorite cover songs.

I'm out-
KWass

Bitter Resolutions - 2008

2008-01-01T10:39:00.000-05:00

I have never been big on New Year's Resolutions. However, since today is New Year's Day, why the hell not?

Won't it be a laugh riot to see if I succeed or fail (and subsequently praised or ridiculed) in a semi-public forum?

Since I'm a pessimist, I will call this list "Seal My Fate in 2008". How you like them apples?

1. Weight Loss

Ah yes, the time honored tradition of resolving to quit being a fatass. But, since I have a gym membership at a nice gym called Go Workout, and I can see the back door of the gym from my house, I really have no excuse. I've actually had a good deal of success with this before, so once I get it going, it shouldn't be big deal. And, in the interest of public mockery, results will be posted. One of my heroes, author Mike Magnuson, said his motivation was getting naked and riding a bike on the cover of a national magazine. I don't have a national magazine - I have a blog.

Resolution #1 - lose weight and, more importantly, lower body fat percentage. More specific information to follow . . .

2. Soda

I drink a lot of soda, and it ain't the diet version - Mountain Dew in all it's sugary strength and splendor. I really don't like diet soda, so that is not a viable alternative. So, I am cutting it off at the source. Don't buy it - don't drink - don't miss it. Easiest thing in the world.

Resolution #2 = no soda pop for 90 days. (Let's not get stupid, now. A whole year? Please.)

3. Health

I have a few medical maladies. If I disclose my own maladies, do I violate HIPAA? While the Vox Acerbus staff of lawyers is working on that sticky wicket, I'll just stick with a goal of achieving better living through pharmaceuticals!

Resolution #3 - take medications "as instructed" versus "when remembered".

4. Financials

I piss away a lot of money, and since I work in the public sector, I don't make a lot of money to begin with. There's the rub.

Resolution #4 - a 90 day moratorium on discretionary spending while a budget is implemented and put into action.

5. Writing

I have so many story ideas in my head that I can't keep them straight anymore. Like The Beastie Boys puttin' it on wax, I'll be puttin' it on paper.

Resolution #5 - organize ideas and complete one short story by April 1, 2008.

6. Blogging

As you well know, I blog like everything else in my life - inconsistently. I won't blog on a rigid schedule, but a little more regularly wouldn't kill me. However, I submit that the fact that it would make me stronger is a complete misnomer. Now that I have a laptop with wireless capability to use with the network in my house, productivity should improve by default, but we'll see.

Resolution #6 - a modest goal of 2 posts per week for Vox Acerbus and 1 post per week for Spunkybean.

7. Organization

I have a Palm Zire 31, and yet I am always forgetting things.

I forget to put things in my Palm. Ironic, yes? A real Catch-22. Yossarian lives!

Resolution #7 - make life easier through advances in technology (i.e. use the damn thing).

8. Reading

I buy used books faster than I could ever read them. In the spirit of Resolution #4, perhaps I should read more instead of buying more. It's time to get my Faulkner and Updike on.

Resolution #8 - diminish the backlog of classic literature that is taking over my dining room.

Like Semisonic said - this could be my year.

I'm out-
KWass

Cubicle Tunes - Week of December 31, 2007

2007-12-31T13:20:00.000-05:00

It's the last installment of 2007, so savor the flavor, my friends. All in all, it was a pretty good year. I've done some research, and there are already some highly anticipated releases on the Vox Acerbus radar for 2008.

1. The Long Road Out of Eden - The Eagles (2007)

I have always held the opinion that "Hotel California" is the worst song EVER (and that doesn't change), but for some unexplained reason, I found myself listening to this and even somewhat liking it. I am getting soft in my old age - I can't even keep up a good rail against the establishment anymore.

2. Until When We Are Ghosts - William Fitzsimmons (2005)

2007's Goodnight was so great, I had to go back and check out his debut. I'm glad I did. "Passion Play" is gorgeous, and is the single reason that 2008 becomes the year that I finally learn to play the guitar. Other highlights include "Shattered" (awesome intro) and "My Life Changed".

3. Tom Waits - The Black Rider (1993)

Holly Cole's Temptation album was a collection of Tom Waits songs, and I was floored by the beauty of "The Briar & The Rose". A conversation with my father revealed that he had The Black Rider, and I had to hear the original. Waits is definitely an acquired taste (or sound, as the case may be), but he's well worth the investment.

4. Winter Pays for Summer - Glen Phillips (2005)

A recent conversation with a friend reminded me of the splendor of this album from the former front man of Toad the Wet Sprocket. "Clear Eyed", "True" and "Courage" are among the choice cuts, but the entire album is worthy of an hour of your time.

5. Time (The Revelator) - Gillian Welch (2001)

In addition to being a fine album through and through, this record features one of the most epic closing tracks ever - the 14:39 long "I Dream A Highway". Every time it starts, I wonder how long I'll get into it, and every time, I hear the closing notes.

I'm out-
KWass

Cubicle Tunes - Week of Dec. 24, 2007

2007-12-26T12:22:00.000-05:00

Great news, boys and girls! Even though I'm bitter and deserved a lump of coal for Xmas, Santa brought me a new iPod and $50 in iTunes gift certificates. So who cares if nobody is working this week - revel in my minstrelsy!

The creation of the Vox Acerbus Best of 2007 brought back some great albums from earlier in the year, before I started this feature, and all of the "best of" albums are back in high rotation.

1. Time on Earth - Crowded House (2007)

Sometimes a band reunites for all the wrong reasons and puts out a record that embarrasses them. Crowded House is not one those bands. This album sounds almost like it could have followed the eponymous offering of 1986, and proves that their long lapse between recordings was indeed a travesty.

2. Home Again, Home Again (EP) - Hem (2007)

Simply stated, I don't think there is band out there as diverse or that can craft a gorgeous melody as well as Hem. Even the short songs like "The Meeting Place" are epic in beauty.

3. Who You Are - Cary Brothers (2007)

These days, an association with Zach Braff is enough to make an album a hit, but Cary Brothers could certainly stand alone. In addition to the awesome cover of the Thompson Twins' "If You Were Here", other standouts include "The Glass Parade", the sonic moods of "Honesty" and "All The Rage", and the lush strings of "The Loneliest Girl in the World". A sad record that makes me happy.

4. Goodnight - William Fitzsimmons (2007)

The electronica of "Please Don't Go" is an anamoly as far as the album is concerned. The rest of Goodnight is acoustic, poetic, mournful, and surprisingly bright given some of the subject matter. The vocals rarely rise above a whisper, in a style similar to Iron & Wine, and Ingrid Michaelson offers some vocal assistance as well.

5. Some Mad Hope - Matt Nathanson (2007)

At first listen, "Wedding Dress" might be a choice for that special first dance at the wedding, but listen closely before you decide to use it. Other standouts include "All We Are" and "Still". While some of the more uptempo tracks suggest a rock or pop slant, the album's strengths are clearly in the slower acoustic numbers.

I'm out-
KWass

Spunkybean! A Zesty Pop Culture Stew

2007-12-20T12:49:00.001-05:00

I have been asked to become a contributing writer for an exciting site called Spunkybean.

The site is new, but is already chock full o' fresh takes on all things pop culture. If you like music, TV, film, books, sports, rants, sarcasm, and witty repartee, then hit us up and check us out. Leave a comment - good or bad - and tell your friends (if you have any, that is.) If not, tell a stranger. He may thank you for it, or he might punch you in the mouth, but hey, that's what makes life exciting, right? Take a chance!

Go ahead - click the link. You know you want to, and really, who's gonna know?

I'm out-
KWass

Vox Acerbus Best of 2007

2007-12-19T22:30:00.000-05:00

The premise: every year, I create a compilation CD of my favorite songs from that year.

First - I only include songs from albums that I bought throughout the year. I don’t cull the Internet looking for other lists or guides or anything like that. I simply sort my iTunes library by year and make a play list from it – simple as that.

Second – how did I arrive at an arbitrary number like 18? Aren’t most lists a Top 10 or Top 25? Well, yes, but I operate on the one disc rule – when the disc is full, the list stops.

That being said, here are my 18 best songs of 2007 in no particular order.

1. “Apartment Story” by The National, from Boxer
“stay inside our rosy minded fuzz”

Blissful ignorance is just one way to deal with a harsh reality.

2. “The Limit to Your Love” by Feist, from The Reminder
“I know that only I can save me”

This song, musically and lyrically, alternates between fear and hope, and I think fear wins out in the end.

3. “The Guy That Says Goodbye to You is Out of His Mind” by Griffin House, from Flying Upside Down
“. . . I can take a punch, I don’t mind to bleed, as long as afterwards you feel bad for me . . .”

Everyone has a relationship they walked out on and ended up regretting it – a classic case of woeful retrospection.

4. “The Part Where You Let Go” by Hem, from Home Again, Home Again
“I still see you there, on your darkest night”

This song is about those dark moments where the ultimate questions of trust and devotion are asked and answered.

5. “Don’t Stop Now” by Crowded House, from Time on Earth
“Who knows what is right in front of us?”

How many times have you taken the long way around to find you just ended up where you started?

6. “Manhattan Moon” by Lucy Kaplansky, from Over the Hills
“While I’m singing you a lullaby, someone’s waking up on the other side”

Every parent has been questioned by their child about what happens to the moon when the day breaks. This is Lucy’s answer to her daughter.

7. “Car Crash” by Matt Nathanson, from Some Mad Hope
“. . . take me deep out past the lights, where nothing dims these stars”

Sometimes people become so numb and desperate that they’ll accept any type of feeling, even pain, to fill the emptiness.

8. “Stars & Satellites” by Minnie Driver, from Seastories
“If love is the answer you seek, you’re asking the wrong kinds of questions”

The answers are out there if you know where to look and who to ask.

9. “Burgundy Shoes” by Patty Griffin, from Children Running Through
“You’re the most pretty lady in the world . . .”

Think back to your earliest childhood memory where everything was still pure and innocent, before you became jaded and cynical (or is that just me . . .)

10. “Not My Friend” by Norah Jones, from Not Too Late
“You seem really glad that I am sad”

This song is about a refusal to forgive someone, and personally, I see no problem with that.

11. “All I Need” by Radiohead, from In Rainbows
“I only stick with you because there are no others”

At some point in a relationship, one will take the other for granted, and then the whole thing hinges on someone’s willingness (or reluctance) to be forsaken.

12. “Start A War” by The National, from Boxer
“Do you really think you can just put it in a safe behind a painting, lock it up, and leave?”

After much deliberation, I’ve concluded that this song is about the fact that pain and suffering always linger well beyond the finite ends offered by wills or judgments.

13. “Your Parents’ Living Room” by Shout Out Louds, from Our Ill Wills
“Where the attention comes from depends on how much I care”

A simple song of nostalgia versus present day, and wondering why it all can’t just be like it was before . . .

14. “Midnight Coward” by Stars, from In Our Bedroom After the War
“I can always trust as much as you deceive”

This is an ode to an evening’s optimistic uphill climb that leads to a pinnacle of a one-night stand, followed by the inevitable awkward descent the next morning.

15. “Lifeline” by Angels & Airwaves, from I-Empire
“I see panic in those eyes”

I think this guy is in denial, but who am I to shatter someone’s dream? Good luck to you, sir.

16. “Please Don’t Go” by William Fitzsimmons, from Goodnight
“. . . I don’t believe your protest, that you swear you didn’t know . . .”

This is a gut wrenching account of a little boy trying to dispel the simplest of reasons given for his father’s departure, because he’s too young to understand that his father just didn’t want anything to do him.

17. “Oxygen” by Colbie Caillat, from Coco
“and so I found a state of mind where I could be speechless”

Consequences be damned! She is telling it like it is, although I think she’s being a little pushy with the whole empty ring finger reference . . .

18. “If You Were Here” by Cary Brothers, from Who You Are
“If you were here, I could deceive you”

Who would have thought this 80’s synth classic from The Thompson Twins would translate so well into a folk version cover? Well, obviously, I do.

I'm out-
KWass

Cubicle Tunes - Week of November 26, 2007

2007-11-28T12:23:00.001-05:00

Finally, some newer releases worthy of note. The last couple of weeks have been pretty sparse.

1. Angels & Airwaves - I-Empire (2007)

I know that Angels & Airwaves should be everything I'm against, but they're not. In fact, I am an unjustifiably huge fan of this band. I hated Blink 182 and The Offspring, of which former members comprise half of A&A. I hate songs with a positive message. I hate jangly guitars. And yet, I listen. Highlights include "Lifeline" and "True Love".

2. Shout Out Louds - Our Ill Wills (2007)

Another iTunes chance-upon that paid off. Think The Cure's "The Head on the Door" recorded in 2007, and there you have it. I was all happy about the great lyric in "You Are Dreaming" where he sings "If you think that I'm still thinking of you, you're dreaming" until I listened further and determined it's more of a defiant denial than a declaration of independence. Farmer Ted said it best when he said "Do you know how many times a week I go without lunch because some bitch borrows my lunch money? Y'know, any halfway decent girl can rob me blind, because I'm too torqued up to say no." Yeah, something like that.

3. One Republic - Dreaming Out Loud (2007)

This one is actually on life support. I heard just enough the first time through to grant it clemency for another listen, but it's fading fast. I was drawn in by the Imogen Heap-esque intro to the opening track "Say Anything (All I Need)", but the rest fails to live up. At least the band's own version of "Apologize" is tolerable, unlike the Timbaland version. How do you seal the fate of a marginal-at-best pop song? Let a hip-hop artist remix it!

4. October Project - October Project (1993)

This album is simply ethereal. The synth-folk arrangements are lush and epic, and the vocals of Mary Gauthier are angelic. If this album was wine, it would be a pinot grigio - light, semi-sweet, and intoxicating.

5. 10,000 Maniacs - Our Time In Eden (1992)

The tracks "Eden" and "Jezebel" are two of the greatest pop songs I've heard. This album was their peak - a bold statement considering the greatness of 1987's "In My Tribe". I liked Natalie Merchant's solo work once she left the band, but I would have much prefered 3 more 10,000 Maniacs albums with her instead of the albums they made without her. They were a legitimately talented band, as chronicled on the MTV Unplugged live album from 1993.

I'm out-
KWass